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  1.  9
    How philosophical characterizations of a musical work lose sight of the “music” and how it might be put back.Cynthia M. Grund - 1995 - In Eero Tarasti (ed.), Musical Signification: Essays in the Semiotic Theory and Analysis of Music. Mouton de Gruyter. pp. 121--63.
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  2. Jeremy Bentham's Theory of Fictions: Some Reflections on Its Implications for Musical Semiosis and Ontology.Cynthia M. Grund - 1996 - In Eero Tarasti, Paul Forsell & Richard Littlefield (eds.), Musical semiotics in growth. Imatra: International Semiotics Institute. pp. 55--71.
     
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  3.  19
    Kierkegaard: Metaphor and the musical erotic.Cynthia M. Grund - 1996 - Danish Yearbook of Philosophy 31 (1):65-88.
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